Snapster

i.never.nu:

Robert X. Cringely as come up with a crazy (or is it?) scheme for music sharing and paiement; he calls it Snapster. The theory, which he as supposedly checked with a few lawyer friends, is that a company could be created to become a sort of mutual fund of music albums where every share owner would have a legal right to copy every song on the thousands of album the starting funds would allow Snapster to buy. That’s the one line summary of a pretty detailed idea where he also includes numbers to « support » his theory.

So it’s basically a private library. Nice concept except that the original media transfer, from the CD to the HDs is what killed my.mp3.com and I don’t see how this system overcomes this hurdle.

Also, fair use does not apply (IIRC) to profit making endeavours, like this plan. Otherwise, it’s not fair use, it’s a normal unlicensed copy.

Time and space shifting are still only fair use defences to infringement in US law, which I don’t think you can use to protect the acts of a company that would not be themselves protected by fair use, even if you own that company or if it acts on your behalf. One could argue this is different with our « fair dealing » doctrine, but that’s really a long shot.

The private library concept is excellent though, maybe a co-op model would even be better, skirting the profit making part, but that would also eliminate the economical value for the music industry, which seems to be an important aspect of the Snapster scheme.

The problem I see with these celestial jukebox wannabes is that to make online distribution possible, you need to do an act that is still generally considered a « copy » in the physical sense of the word. Maybe an elaborate system enforcing a « one listener at a time » rule might convince a judge that although bits are replicated, the system is functionally equivalent to « lending » or « sharing » works on a physical medium? The alternatives being individually licensing works, à la iTunes Music store, compulsory licensing scheme or a modification to copyright law to make sharing digital files possible without them being considered a copy or a public performance of some sort.

I think there is room for all three in the market. The store works well for most purposes. I’d like to see a compulsory licensing for streaming, and legislative modification, to give people the same rights they enjoy in the physical sphere.

Am I still allowed to invite a couple buddies over to watch a video?

(oh, and Roxio already owns snapster.com)

Update: great post by Charles Miller, found on a K5 discussion: All in all, a brilliant hack of the legal code. And totally useless. […] The law is not code. It is not compiled into an inviolate binary and run by a deterministic system. It is passed through the heads of human beings whose job it is to interpret the intent of the law.

The tortoise, the hare and the Internet

Micheal Geist’s latest column in the Toronto Star tells of the merits of slow regulation.

He mentions that the meme was (or still is) that government are too slow for the rapids advancements of technology while the private sector is best suited to adapt rapidly and provide effective auto-regulation.

Yet, privacy regulation by the private sector has gone nowhere in the US. Internet governance by ICANN, instead of the ITU (which was apparently the « obvious alternative ») has not been a stellar success either.

He goes on praising the regulatory approach of the the Canadian government, which I think can be summarized as « yeah, were working on it ».

Other obvious examples: the DMCA, first implementations (I think) of the TRIPS protection requirements, and the various post 9/11 knee-jerks, rushed regulatory processes .

So basically, the private sector should move fast while the administrations should move slowly. Fair enough but I’ll reserve my opinions when we see the results of our own copyright reform process.

Chi va piano, va sano apparently.

Thanks Cla

Pssst!

Pssst! est mort.

Mais Xanax a reparti ça, ça n’a pas pris de temps.

Liste de la couverture micro-médiatique dans cette enfilade.

Mon point de vue: il est surtout intéressant de voir les réactions des gens au fait que « la plogue ait été tirée ».

Oui, il y a eu des moments productifs, et ça m’a permis de découvrir plusieurs carnets (et personnalités) intéressants (A Frog, Miss Banlieusardises, Remolino, la grande Rousse, CFD, Monaerik, Dale-de-chez-Brunmarde.com et j’en oublie). D’ailleurs j’espère qu’un autre forum saura intéresser et rassembler un ensemble de contributeurs et de lecteurs aussi talentueux.

D’un autre côté, si Pssst! avait pleinement satisfait mes besoins et attentes, il n’y aurait probablement jamais eu ce blog…

Si on en croit le « footer » qui était affiché sur la page d’accueil, Memepool avait été l’inspiration initiale de Pssst!. Le système de commentaires, généralement je crois pointé du doigt comme étant l’élément le plus problématique de Pssst!, était donc un genre d’amélioration sur le concept.

Memepool fonctionne encore pas mal du tout. Pssst! est mort.

Pour moi le créneau de Pssst! était de me permettre de mieux connaître ce qui se passait au niveau techno au Quebec et dans la francophonie. Le dimension commentaires était intéressante, mais les commentateurs auraient eu intérêt, dans la plupart des discussion, à garder en tête l’intérêt du plus grand nombre et de tenter de contribuer à la diffusion d’information au delà des commentaires éditoriaux ou pamphlétaires souvent si peu à propos.

Il me semble avoir vu plusieurs références à une communauté « à la Slashdot » gravitant autour de Pssst!, c’est dire à quel point on a dérivé, au niveau de la perception, du concept original.

Enfin, je présume ici que le sentiment de lassitude que me laissait de plus en plus souvent la lecture de Pssst! en est un partagé par les proprios. Je me désole autant de leur laconisme que des réaction des anciens participants qui crient à la perte d’une ressource communautaire.

Pssst! aura été une expérience en somme assez statique dans son mode d’interaction et de fonctionnement. J’aurais été intéressé à la voir évoluer mais on a plutôt préféré planter le jalon.

Comme dirait une fidèle lectrice, « moving on now ».

Misc ILaw stuff

First, Donna is leaving the Berkman center to be an EFF Webwriter/Activist.

I wish you the best and I will certainly keep an eye on your career. Ever since I susbcribed to the Filter, later with Copyfight, and finally with ILaw, I have been impressed by the quality of your work.

Lisa has posted the first videos she took at Ilaw. So far, it’s Lessig and Zittrain on Porn and Jurisdiction.

Frank has posted a great ILaw wrap up that tracks most (all?) of what has been written about the conference.

Encodage

J’ai modifié la façon dont le logiciel qui fait rouler mon weblog gère les caractères accentués (et les idéogrammes…).

Plusieurs bon côtés, mais quelques points négatifs, comme une bonne quantité de travail semi-manuel pour re-encoder les entrées existantes, et j’ai sûrement oublié des trucs dans ce processus assez improvisé. La nécessité est mère de l’invention mais pas nécessairement de la méthode et de l’élégance!

Si vous avez des problèmes d’accents ou si vous voyez des commentaires ou des entrées où les accents sont incorrects, postez donc un commentaire que je regarde ça.

Merci!

Visiting Quebec

Oh this is good:

Maciej Ceglowski visited Québec and has a few nice things to say. I shouldnt but I sometimes need people to remind me how f**king big our country and province are. My favorite part:

And just like that, Canada has secretly trained you to be an Ugly American. When you finally do visit a real foreign contry, you’ll find yourself acting like a complete fool, yelling in English and waving fistfuls of dollars at some uncomprehending store clerk, while some doe-eyed backpacker with a maple leaf patch snickers at you and picks up all the hot local chicks.

He also compares Chicoutimi to a French-Canadian Chongqing, it’s funny, but seriously, comparing the Saguenay with the Yangtze is odd.

Which made me think that I quickly learned 我不是美国人, 我是加拿大人 myself.

[update: yeah… You kinda have to use unicode to see the caracters there…. Is there a way to encore them differently? Or inform a browser that I’m using that encoding? Modified MT config to use Unicode when publishing pages. I’m curious of the consequences, but it works so far for me. My RSS 2 feed does not display properly in NetNewsWire though. Fixed. Referring to myself as a country: fixed.]

Seat Guru

I went googling (while playing with my return-top toy) for a ressource evaluating seats in various airplanes from different compagnies.
I’ve found SeatGuru.

It is nice (and probably saved me some problems) but I know I’ve seen a more extensive resource before. Anyone knows that I’m talking about?

LXG

Lessig writes about the League of Extraordinary Gentlemen (trailer), noting how it builds on caracters from works now in the public domain.

If it is indeed as original as the press material says, it might be a good example on how people (other than Disney) can make movies from material in the public domain, and how and why the fact that there is a public domain in the first place is a good thing.

Or maybe everyone knows that but no one wants to explain to their shareholders why the stuff they created is ending up in a competitor’s movie? Is it just a « not in my portfolio » mentality? Build on the culture, but make sure your work does not end up « stolen »? Is it a trademark-like mentality where you want to create something popular and strong, but not so much as to have it become a generic cultural icon?

This movie is also quite different in another way: it’s soundtrack will be available only on the iTunes Music store.

Quite a statement. Hostile distribution channel? Marketing decision? Affinity for niche markets? Trial balloon? Rational and smart move?

I like Jack Miller’s take on that decision.

An Open Letter to WIPO

Text of a
letter
(pdf) sent to Dr. Kamil Idris, Director General of WIPO.

Dear Dr. Idris:
In recent years there has been an explosion of open and collaborative projects to create public goods. These projects are extremely important, and they raise profound questions regarding appropriate intellectual property policies. They also provide evidence that one can achieve a high level of innovation in some areas of the modern economy without intellectual property protection, and indeed excessive, unbalanced, or poorly designed intellectual property protections may be counter-productive. We ask that the World Intellectual Property Organization convene a meeting in calendar year 2004 to examine these new open collaborative development models, and to discuss their relevance for public policy.

Broad enough to get general support and, although one could argue that more meeting scheduling is not something to hope for, or that this could also have been folded nicely into the WSIS, I do agree that it would be nice to get a declaration that IPRs are not the be-all end-all of development, progress and equity.

The
appendix to the letter lists seven areas where innovation can occur
without intellectual property protection or even where IP protection
hampers innovation.

Amongst the signatories are three of the faculty members present at ILaw, Yochai Benkler, Larry Lessig and Jonathan Zittrain, and many other notables.

[Emerging TechnologiesOpen
Access News
]